Visual identity

Color

Primary colors

The primary palette is anchored by Buffini Blue, supported by a darker blue for contrast and a range of neutral grays. A secondary set of colors add flexibility and liveliness to our overall message.

General guidelines

Buffini Blue is our primary brand color

It doesn’t need to dominate every layout, but it should always be present and consistently carried throughout the system.

Balance color across the layout

Use color intentionally and balance it throughout the layout to create clarity and rhythm. In longer documents, vary background colors thoughtfully to help establish pacing and visual flow.

Dark blue

Dark blue serves as the primary contrast color, helping anchor the palette and balance lighter tones.

Use tints and shades to create space

Use varying shades of neutral tones or Buffini Blue to create structure through rules, frames, tables, containers, and other supporting elements. Lighter tones can cover larger surface areas, while darker tones should be used more sparingly for lines, accents, and emphasis.

Primary palette

Buffini Blue

#006EB4

RGB: 0, 110, 180

CMYK: 100, 50, 0, 0

PMS: 300U

Dark blue

#003B64

RGB: 0, 59, 100

CMYK: 100, 50, 0, 60

PMS: 541

Use Dark blue to create contrast and balance within the layout. It is especially effective for headlines, subheads, and titles, particularly when Buffini Blue is already prominent elsewhere in the design.

Blue 90

#147EC2

RGB: 20, 126, 194

CMYK: 90, 45, 0, 0

Blue 80

#2B8BC8

RGB: 43, 139, 200

CMYK: 80, 40 0, 0

Blue 70

#499BD1

RGB: 73, 155, 200

CMYK: 70, 35, 0, 0

Blue 60

#64ACDA

RGB: 100, 172, 218

CMYK: 60, 30, 0, 0

Blue 50

#81BBE1

RGB: 129, 187, 225

CMYK: 50, 25, 0, 0

Blue 40

#98C8E8

RGB: 152, 200, 232

CMYK: 40, 20, 0, 0

Blue 30

#BADDF4

186, 221, 244

CMYK: 30, 15, 0, 0

Blue 20

#C9E5F6

RGB: 201, 229 246

CMYK: 20, 10, 0, 0

Blue 10

#E1F2FD

RGB: 225, 242, 253

CMYK: 10, 5, 0, 0

Light Blue

#EBF7FF

RGB: 235, 247, 255

CMYK: 6, 0, 0, 0

Ultra Light Blue

#F4FBFF

RGB: 244, 251, 255

CMYK: 4, 0, 0, 0

Super Ultra Light Blue

#FAFCFE

RGB: 250, 252, 254

CMYK: 2, 0, 0, 0

Neutrals

Use pure black for print body copy and Neutral 90 for screen copy. Lighter neutrals should be used for containers and subtle backgrounds, mid-tones for rules and borders, and darker tones for accents and infographics. Light blue and neutral are the lightest neutral approved for print. Ultra Light and Super Ultra Light tints are reserved for screen use only.

Neutral Pallete

Black

#000000

RGB: 0, 0, 0

CMYK: 0, 0, 0, 100

Neutral 90

#474543

RGB: 71, 69, 67

CMYK: 0 4, 8, 90

N80

#646361

RGB: 100, 99, 97

CMYK: 0, 4, 7, 80

N70

#797775

RGB: 121, 119, 117

CMYK: 0, 3, 6, 70

N60

#868583

RGB: 134, 133, 131

CMYK: 0, 2, 5, 60

N50

#A8A5A2

RGB: 168, 165, 162

CMYK: 0, 2, 5, 50

N40

#BCB8B3

RGB: 188, 184, 179

CMYK: 0, 2, 4, 40

N30

#D0CDC8

RGB: 208, 205, 200

CMYK: 0, 1, 4, 30

N20

#DEDCD5

RGB: 222, 220, 213

CMYK: 0, 1, 3, 20

N10

#E8E6E4

232, 230, 228

CMYK: 0, 1, 3, 10

Light Neutral

#EDEDEB

RGB: 237, 237, 235

CMYK: 0, 1, 2, 8

Ultra Light Neutral

#F7F6F4

RGB: 247, 246, 244

CMYK: 0, 1, 2, 5

Super Ultra Light Neutral

#FAFAF8

RGB: 250, 250, 248

CMYK: 0, 1, 2, 2

Support colors

These colors support the primary palette by allowing Buffini Blue to stand out, while also adding an additional layer of energy to the brand visuals. Without the secondary palette, the brand becomes too corporate and lacks vibrance and personality.

General guidelines

Use secondary colors to support the message and reinforce the system

They should enhance clarity and add character without competing with Buffini Blue. Always use restraint so the final design feels focused, cohesive, and distinctly Buffini.

Use restraint

Limit use to key moments. Avoid saturating layouts with multiple accents.

Limit the palette per layout

Use one primary color and one or two secondary colors at most per screen. Infographics or grouped content areas may expand the palette when additional distinction or organization is needed.

Assign color with purpose

Use secondary colors to highlight key actions, categories, or information. Add blocks, frames, or rules to create space and provide anchors. Use color in type to add emphasis.

Keep color meaning consistent

If a color represents a concept, use it consistently across the piece.

Use tints and shades for flexibility

Extend colors through lighter and darker variations before introducing new ones. Use consistent tint and shade increments, such as 25% steps, to maintain a controlled and cohesive palette.

Cerulean

#0095DF

RGB: 0, 149, 223

CMYK: 85, 25, 0, 5

Aqua

#49D5F4

RGB: 73, 213, 244

CMYK: 50, 0, 8, 0

Electric Blue

#9DF5FF

RGB: 157, 245, 255

CMYK: 30, 0, 6, 0

Arctic Blue

#DEF6FB

RGB: 222, 246, 251

CMYK: 10, 0, 2, 0

Teal

#069FA9

RGB: 6, 159, 169

CMYK: 89, 12, 35, 0

Turquoise

#5CCEC4

RGB: 92, 206, 196

CMYK: 61, 0, 33, 0

Aquamarine

#A7FAE7

RGB: 167, 250, 231

CMYK: 38, 0, 21, 0

Light Turquoise

#DAFCF7

RGB: 218, 252, 247

CMYK: 15, 0, 7, 0

Verdigris

#269086

RGB: 38, 144, 134

CMYK: 86, 13, 50, 13

Green

#7ACF97

RGB: 122, 207, 151

CMYK: 50, 0, 50, 0

Chartreuse

#BEF7BC

RGB: 190, 247, 188

CMYK: 28, 0, 39, 0

Light Chartreuse

#E7FDDC

RGB: 231, 253, 220

CMYK: 5, 0, 15, 0

Amber

#EC8F1F

RGB: 236, 143, 31

CMYK: 5, 35, 100, 0

Gold

#FFD48C

RGB: 255, 212, 140

CMYK: 1, 12, 56, 0

Yellow

#FFE7AB

RGB: 255, 231, 171

CMYK: 0, 4, 29, 0

Light Yellow

#FFFAD8

RGB: 255, 250, 216

CMYK: 0, 3, 15, 0

Brick

#DA693E

RGB: 218, 105, 62

CMYK: 15, 70, 75, 0

Rose

#F4AB97

RGB: 244, 171, 151

CMYK: 5, 36, 32, 0

Peach

#FFD7C8

RGB: 255, 215, 200

CMYK: 0, 21, 23, 0

Light Peach

#FFEFE6

RGB: 255, 239, 230

CMYK: 0, 10, 10, 0

Tints

Use consistent tint and shade increments, such as 25% steps, to maintain a controlled and cohesive palette. Avoid stacking transparent colors, as overlapping transparencies can create unintended colors that fall outside the approved palette. Instead, use these predefined tints and shades. It’s okay to use transparency if the swatch is against a white background.

Gradients

Gradients should serve a clear purpose, such as adding depth or a campaign-specific design approach. Keep gradients subtle, controlled, and aligned with the core palette to enhance clarity.

General guidelines

Use gradients with purpose

Only apply gradients when they add clarity or serve some visual purpose.

Stay within the brand palette

Build gradients from approved colors or closely related tints and shades.

Limit color stops

Use two stops max.

Avoid muddy combinations

Use caution when blending blues into reds and oranges which can produce brownish hues.

Use linear gradients only

Don’t use more complex gradients such as radial, angular or mesh.

Two gradient styles

1. Fade to White(Buffini Blue to White)

2. Fade to Buffini Blue(Dark blue to Buffini Blue)

Blues White

Blues Buffini Blue

Teals White

Teals Buffini Blue

Greens White

Greens Buffini Blue

Yellows White

Yellows Buffini Blue

Reds White

Reds Buffini Blue

Visual identity

Color

Primary colors

The primary palette is anchored by Buffini Blue, supported by a darker blue for contrast and a range of neutral grays. A secondary set of colors add flexibility and liveliness to our overall message.

General guidelines

Buffini Blue is our primary brand color

It doesn’t need to dominate every layout, but it should always be present and consistently carried throughout the system.

Balance color across the layout

Use color intentionally and balance it throughout the layout to create clarity and rhythm. In longer documents, vary background colors thoughtfully to help establish pacing and visual flow.

Dark blue

Dark blue serves as the primary contrast color, helping anchor the palette and balance lighter tones.

Use tints and shades to create space

Use varying shades of neutral tones or Buffini Blue to create structure through rules, frames, tables, containers, and other supporting elements. Lighter tones can cover larger surface areas, while darker tones should be used more sparingly for lines, accents, and emphasis.

Primary palette

Buffini Blue

#006EB4

RGB: 0, 110, 180

CMYK: 100, 50, 0, 0

PMS: 300U / 2935 C

Dark blue

#003B64

RGB: 0, 59, 100

CMYK: 100, 50, 0, 60

PMS: 541

Use Dark blue to create contrast and balance within the layout. It is especially effective for headlines, subheads, and titles, particularly when Buffini Blue is already prominent elsewhere in the design.

Blue 90

#147EC2

RGB: 20, 126, 194

CMYK: 90, 45, 0, 0

Blue 80

#2B8BC8

RGB: 43, 139, 200

CMYK: 80, 40 0, 0

Blue 70

#499BD1

RGB: 73, 155, 200

CMYK: 70, 35, 0, 0

Blue 60

#64ACDA

RGB: 100, 172, 218

CMYK: 60, 30, 0, 0

Blue 50

#81BBE1

RGB: 129, 187, 225

CMYK: 50, 25, 0, 0

Blue 40

#98C8E8

RGB: 152, 200, 232

CMYK: 40, 20, 0, 0

Blue 30

#BADDF4

186, 221, 244

CMYK: 30, 15, 0, 0

Blue 20

#C9E5F6

RGB: 201, 229 246

CMYK: 20, 10, 0, 0

Blue 10

#E1F2FD

RGB: 225, 242, 253

CMYK: 10, 5, 0, 0

Light Blue

#EBF7FF

RGB: 235, 247, 255

CMYK: 6, 0, 0, 0

Ultra Light Blue

#F4FBFF

RGB: 244, 251, 255

CMYK: 4, 0, 0, 0

Super Ultra Light Blue

#FAFCFE

RGB: 250, 252, 254

CMYK: 2, 0, 0, 0

Neutrals

Use pure black for print body copy and Neutral 90 for screen copy. Lighter neutrals should be used for containers and subtle backgrounds, mid-tones for rules and borders, and darker tones for accents and infographics. Light blue and neutral are the lightest neutral approved for print. Ultra Light and Super Ultra Light tints are reserved for screen use only.

Neutral Pallete

Black

#000000

RGB: 0, 0, 0

CMYK: 0, 0, 0, 100

Neutral 90

#474543

RGB: 71, 69, 67

CMYK: 0 4, 8, 90

N80

#646361

RGB: 100, 99, 97

CMYK: 0, 4, 7, 80

N70

#797775

RGB: 121, 119, 117

CMYK: 0, 3, 6, 70

N60

#868583

RGB: 134, 133, 131

CMYK: 0, 2, 5, 60

N50

#A8A5A2

RGB: 168, 165, 162

CMYK: 0, 2, 5, 50

N40

#BCB8B3

RGB: 188, 184, 179

CMYK: 0, 2, 4, 40

N30

#D0CDC8

RGB: 208, 205, 200

CMYK: 0, 1, 4, 30

N20

#DEDCD5

RGB: 222, 220, 213

CMYK: 0, 1, 3, 20

N10

#E8E6E4

232, 230, 228

CMYK: 0, 1, 3, 10

Light Neutral

#EDEDEB

RGB: 237, 237, 235

CMYK: 0, 1, 2, 8

Ultra Light Neutral

#F7F6F4

RGB: 247, 246, 244

CMYK: 0, 1, 2, 5

Super Ultra Light Neutral

#FAFAF8

RGB: 250, 250, 248

CMYK: 0, 1, 2, 2

Support colors

These colors support the primary palette by allowing Buffini Blue to stand out, while also adding an additional layer of energy to the brand visuals. Without the secondary palette, the brand becomes too corporate and lacks vibrance and personality.

General guidelines

Use secondary colors to support the message and reinforce the system

They should enhance clarity and add character without competing with Buffini Blue. Always use restraint so the final design feels focused, cohesive, and distinctly Buffini.

Use restraint

Limit use to key moments. Avoid saturating layouts with multiple accents.

Limit the palette per layout

Use one primary color and one or two secondary colors at most per screen. Infographics or grouped content areas may expand the palette when additional distinction or organization is needed.

Assign color with purpose

Use secondary colors to highlight key actions, categories, or information. Add blocks, frames, or rules to create space and provide anchors. Use color in type to add emphasis.

Keep color meaning consistent

If a color represents a concept, use it consistently across the piece.

Use tints and shades for flexibility

Extend colors through lighter and darker variations before introducing new ones. Use consistent tint and shade increments, such as 25% steps, to maintain a controlled and cohesive palette.

Cerulean

#0095DF

RGB: 0, 149, 223

CMYK: 85, 25, 0, 5

Aqua

#49D5F4

RGB: 73, 213, 244

CMYK: 50, 0, 8, 0

Electric Blue

#9DF5FF

RGB: 157, 245, 255

CMYK: 30, 0, 6, 0

Arctic Blue

#DEF6FB

RGB: 222, 246, 251

CMYK: 10, 0, 2, 0

Teal

#069FA9

RGB: 6, 159, 169

CMYK: 89, 12, 35, 0

Turquoise

#5CCEC4

RGB: 92, 206, 196

CMYK: 61, 0, 33, 0

Aquamarine

#A7FAE7

RGB: 167, 250, 231

CMYK: 38, 0, 21, 0

Light Turquoise

#DAFCF7

RGB: 218, 252, 247

CMYK: 15, 0, 7, 0

Verdigris

#269086

RGB: 38, 144, 134

CMYK: 86, 13, 50, 13

Green

#7ACF97

RGB: 122, 207, 151

CMYK: 50, 0, 50, 0

Chartreuse

#BEF7BC

RGB: 190, 247, 188

CMYK: 28, 0, 39, 0

Light Chartreuse

#E7FDDC

RGB: 231, 253, 220

CMYK: 5, 0, 15, 0

Amber

#EC8F1F

RGB: 236, 143, 31

CMYK: 5, 35, 100, 0

Gold

#FFD48C

RGB: 255, 212, 140

CMYK: 1, 12, 56, 0

Yellow

#FFE7AB

RGB: 255, 231, 171

CMYK: 0, 4, 29, 0

Light Yellow

#FFFAD8

RGB: 255, 250, 216

CMYK: 0, 3, 15, 0

Brick

#DA693E

RGB: 218, 105, 62

CMYK: 15, 70, 75, 0

Rose

#F4AB97

RGB: 244, 171, 151

CMYK: 5, 36, 32, 0

Peach

#FFD7C8

RGB: 255, 215, 200

CMYK: 0, 21, 23, 0

Light Peach

#FFEFE6

RGB: 255, 239, 230

CMYK: 0, 10, 10, 0

Tints

Use consistent tint and shade increments, such as 25% steps, to maintain a controlled and cohesive palette. Avoid stacking transparent colors, as overlapping transparencies can create unintended colors that fall outside the approved palette. Instead, use these predefined tints and shades. It’s okay to use transparency if the swatch is against a white background.

Cerulean

75%

50%

25%

Aqua

Electric

Arctic

Turquoise

Aquamarine

Light Turquoise

Teal

75%

50%

25%

Vedigris

Green

Chartreuse

Light Chartreuse

75%

50%

25%

Amber

Gold

Yellow

Light Yellow

75%

50%

25%

Brick

Rose

Peach

Light Peach

75%

50%

25%

Gradients

Gradients should serve a clear purpose, such as adding depth or a campaign-specific design approach. Keep gradients subtle, controlled, and aligned with the core palette to enhance clarity.

General guidelines

Use gradients with purpose

Only apply gradients when they add clarity or serve some visual purpose.

Stay within the brand palette

Build gradients from approved colors or closely related tints and shades.

Limit color stops

Use two stops max.

Avoid muddy combinations

Use caution when blending blues into reds and oranges which can produce brownish hues.

Use linear gradients only

Don’t use more complex gradients such as radial, angular or mesh.

Two gradient styles

1. Fade to White(Buffini Blue to White)

2. Fade to Buffini Blue(Dark blue to Buffini Blue)

Blues White

Blues Buffini Blue

Teals White

Teals Buffini Blue

Greens White

Greens Buffini Blue

Yellows White

Yellows Buffini Blue

Reds White

Reds Buffini Blue

Visual identity

Color

Primary colors

The primary palette is anchored by Buffini Blue, supported by a darker blue for contrast and a range of neutral grays. A secondary set of colors add flexibility and liveliness to our overall message.

General guidelines

Buffini Blue is our primary brand color

It doesn’t need to dominate every layout, but it should always be present and consistently carried throughout the system.

Balance color across the layout

Use color intentionally and balance it throughout the layout to create clarity and rhythm. In longer documents, vary background colors thoughtfully to help establish pacing and visual flow.

Dark blue

Dark blue serves as the primary contrast color, helping anchor the palette and balance lighter tones.

Use tints and shades to create space

Use varying shades of neutral tones or Buffini Blue to create structure through rules, frames, tables, containers, and other supporting elements. Lighter tones can cover larger surface areas, while darker tones should be used more sparingly for lines, accents, and emphasis.

Primary palette

Buffini Blue

#006EB4

RGB: 0, 110, 180

CMYK: 100, 50, 0, 0

PMS: 300U

Dark blue

#003B64

RGB: 0, 59, 100

CMYK: 100, 50, 0, 60

PMS: 541

Use Dark blue to create contrast and balance within the layout. It is especially effective for headlines, subheads, and titles, particularly when Buffini Blue is already prominent elsewhere in the design.

Blue 90

#147EC2

RGB: 20, 126, 194

CMYK: 90, 45, 0, 0

Blue 80

#2B8BC8

RGB: 43, 139, 200

CMYK: 80, 40 0, 0

Blue 70

#499BD1

RGB: 73, 155, 200

CMYK: 70, 35, 0, 0

Blue 60

#64ACDA

RGB: 100, 172, 218

CMYK: 60, 30, 0, 0

Blue 50

#81BBE1

RGB: 129, 187, 225

CMYK: 50, 25, 0, 0

Blue 40

#98C8E8

RGB: 152, 200, 232

CMYK: 40, 20, 0, 0

Blue 30

#BADDF4

186, 221, 244

CMYK: 30, 15, 0, 0

Blue 20

#C9E5F6

RGB: 201, 229 246

CMYK: 20, 10, 0, 0

Blue 10

#E1F2FD

RGB: 225, 242, 253

CMYK: 10, 5, 0, 0

Light Blue

#EBF7FF

RGB: 235, 247, 255

CMYK: 6, 0, 0, 0

Ultra Light Blue

#F4FBFF

RGB: 244, 251, 255

CMYK: 4, 0, 0, 0

Super Ultra Light Blue

#FAFCFE

RGB: 250, 252, 254

CMYK: 2, 0, 0, 0

Neutrals

Use pure black for print body copy and Neutral 90 for screen copy. Lighter neutrals should be used for containers and subtle backgrounds, mid-tones for rules and borders, and darker tones for accents and infographics. Light blue and neutral are the lightest neutral approved for print. Ultra Light and Super Ultra Light tints are reserved for screen use only.

Neutral palette

Black

#000000

RGB: 0, 0, 0

CMYK: 0, 0, 0, 100

Neutral 90

#474543

RGB: 71, 69, 67

CMYK: 0 4, 8, 90

N80

#646361

RGB: 100, 99, 97

CMYK: 0, 4, 7, 80

N70

#797775

RGB: 121, 119, 117

CMYK: 0, 3, 6, 70

N60

#868583

RGB: 134, 133, 131

CMYK: 0, 2, 5, 60

N50

#A8A5A2

RGB: 168, 165, 162

CMYK: 0, 2, 5, 50

N40

#BCB8B3

RGB: 188, 184, 179

CMYK: 0, 2, 4, 40

N30

#D0CDC8

RGB: 208, 205, 200

CMYK: 0, 1, 4, 30

N20

#DEDCD5

RGB: 222, 220, 213

CMYK: 0, 1, 3, 20

N10

#E8E6E4

232, 230, 228

CMYK: 0, 1, 3, 10

Light Neutral

#EDEDEB

RGB: 237, 237, 235

CMYK: 0, 1, 2, 8

Ultra Light Neutral

#F7F6F4

RGB: 247, 246, 244

CMYK: 0, 1, 2, 5

Super Ultra Light Neutral

#FAFAF8

RGB: 250, 250, 248

CMYK: 0, 1, 2, 2

Support colors

These colors support the primary palette by allowing Buffini Blue to stand out, while also adding an additional layer of energy to the brand visuals. Without the secondary palette, the brand becomes too corporate and lacks vibrance and personality.

General guidelines

Use secondary colors to support the message and reinforce the system

They should enhance clarity and add character without competing with Buffini Blue. Always use restraint so the final design feels focused, cohesive, and distinctly Buffini.

Use restraint

Limit use to key moments. Avoid saturating layouts with multiple accents.

Limit the palette per layout

Use one primary color and one or two secondary colors at most per screen. Infographics or grouped content areas may expand the palette when additional distinction or organization is needed.

Assign color with purpose

Use secondary colors to highlight key actions, categories, or information. Add blocks, frames, or rules to create space and provide anchors. Use color in type to add emphasis.

Keep color meaning consistent

If a color represents a concept, use it consistently across the piece.

Use tints and shades for flexibility

Extend colors through lighter and darker variations before introducing new ones. Use consistent tint and shade increments, such as 25% steps, to maintain a controlled and cohesive palette.

Cerulean

#0095DF

RGB: 0, 149, 223

CMYK: 85, 25, 0, 5

Aqua

#49D5F4

RGB: 73, 213, 244

CMYK: 50, 0, 8, 0

Electric Blue

#9DF5FF

RGB: 157, 245, 255

CMYK: 30, 0, 6, 0

Arctic Blue

#DEF6FB

RGB: 222, 246, 251

CMYK: 10, 0, 2, 0

Teal

#069FA9

RGB: 6, 159, 169

CMYK: 89, 12, 35, 0

Turquoise

#5CCEC4

RGB: 92, 206, 196

CMYK: 61, 0, 33, 0

Aquamarine

#A7FAE7

RGB: 167, 250, 231

CMYK: 38, 0, 21, 0

Light Turquoise

#DAFCF7

RGB: 218, 252, 247

CMYK: 15, 0, 7, 0

Verdigris

#269086

RGB: 38, 144, 134

CMYK: 86, 13, 50, 13

Green

#7ACF97

RGB: 122, 207, 151

CMYK: 50, 0, 50, 0

Chartreuse

#BEF7BC

RGB: 190, 247, 188

CMYK: 28, 0, 39, 0

Light Chartreuse

#E7FDDC

RGB: 231, 253, 220

CMYK: 5, 0, 15, 0

Amber

#EC8F1F

RGB: 236, 143, 31

CMYK: 5, 35, 100, 0

Gold

#FFD48C

RGB: 255, 212, 140

CMYK: 1, 12, 56, 0

Yellow

#FFE7AB

RGB: 255, 231, 171

CMYK: 0, 4, 29, 0

Light Yellow

#FFFAD8

RGB: 255, 250, 216

CMYK: 0, 3, 15, 0

Brick

#DA693E

RGB: 218, 105, 62

CMYK: 15, 70, 75, 0

Rose

#F4AB97

RGB: 244, 171, 151

CMYK: 5, 36, 32, 0

Peach

#FFD7C8

RGB: 255, 215, 200

CMYK: 0, 21, 23, 0

Light Peach

#FFEFE6

RGB: 255, 239, 230

CMYK: 0, 10, 10, 0

Tints

Use consistent tint and shade increments, such as 25% steps, to maintain a controlled and cohesive palette. Avoid stacking transparent colors, as overlapping transparencies can create unintended colors that fall outside the approved palette. Instead, use these predefined tints and shades. It’s okay to use transparency if the swatch is against a white background.

Cerulean

75%

50%

25%

Aqua

Electric

Arctic

Turquoise

Aquamarine

Light Turquoise

Teal

75%

50%

25%

Vedigris

Green

Chartreuse

Light Chartreuse

75%

50%

25%

Amber

Gold

Yellow

Light Yellow

75%

50%

25%

Brick

Rose

Peach

Light Peach

75%

50%

25%

Gradients

Gradients should serve a clear purpose, such as adding depth or a campaign-specific design approach. Keep gradients subtle, controlled, and aligned with the core palette to enhance clarity.

General guidelines

Use gradients with purpose

Only apply gradients when they add clarity or serve some visual purpose.

Stay within the brand palette

Build gradients from approved colors or closely related tints and shades.

Limit color stops

Use two stops max.

Avoid muddy combinations

Use caution when blending blues into reds and oranges which can produce brownish hues.

Use linear gradients only

Don’t use more complex gradients such as radial, angular or mesh.

Two gradient styles

1. Fade to White(Buffini Blue to White)

2. Fade to Buffini Blue(Dark blue to Buffini Blue)

Blues White

Blues Buffini Blue

Teals White

Teals Buffini Blue

Greens White

Greens Buffini Blue

Yellows White

Yellows Buffini Blue

Reds White

Reds Buffini Blue